导演： Jean-Marie Straub/ 编剧： Dante Alighieri/ 主演： Giorgio Passerone/ 更新： 2025-05-07 00:47:19，最后更新于 1月前 备注： 已完结 评价：

　　转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub　　“The end of paradise on earth.”—Jean-Marie Straub　　The 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.　　“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.　　In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.　　So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.　　During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.　　The mise en scène of what words exactly?　　The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.　　Is “Straubie” Greece?　　This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

@media (min-width: 559px) { .module-adslist{ display: flex; }}@media (min-width: 559px) { .module-adslist{ display: flex; }}导演：Jean-Marie Straub/编剧：Dante Alighieri/主演：Giorgio Passerone/更新：2024-05-11 00:49:04，最后更新于1年前备注：HD中字评价：

演员：Giorgio Passerone 导演：Jean-Marie Straub 类型：剧情片 短片 影集 状态：已完结更新时间：2025-03-20地区：法国 年份：2010 语言：其它 介绍：本片(剧)是一部法国制片作品的影集，于2010年上映。对白语言为其它，目前豆瓣评分8.0(仅供参考)。...更多 

转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich

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A woman rents her womb to a powerful family of Mexican businessmen to save her father's life. After[展开全部]　A woman rents her womb to a powerful family of Mexican businessmen to save her father's life. After her delivery, she wakes up in a hospital where she is given a baby who was born with a physical disability. Years later, her life will confront her again with that moment, to discover the truth.[收起部分]

@media (min-width: 559px) { .module-adslist{ display: flex; }}@media (min-width: 559px) { .module-adslist{ display: flex; }}导演：鄢钷/肖蔚鸿/编剧：崔斯韦/管娜/主演：姚晨/朱雨辰/郭晓东/蒋小涵/吴辰君/张晨光/马艳丽/更新：2025-03-12 06:30:06，最后更新于4月前备注：HD评价：

与时尚杂志社编辑王顺佳（姚晨 饰）风生水起的爱情相比，她的事业近来陷入低谷。即将成婚,完婚,婚配,嫁娶的消息惹来单身女上司的妒忌，因此职业,事业,工作岗位,职责上屡屡受挫。还好男伙伴,好友,挚友,密友的哥们张俊浩（朱雨辰 饰）意外出现在他们的日常,生存,生计,日子里，为他们的日常,生存,生计,日子又带来一些新鲜的趣味。                                                                    　　正当顺佳全身心投入即将迈入婚姻殿堂的喜悦之时，她的男伙伴,好友,挚友,密友吴巨源（郭晓冬 饰）却由于移情别恋而向她提出分离,离别,离别,分别,分离,别离,分散,分别,离别,分离。顺佳失意,情伤,失爱,情殇后，俊浩不仅给予顺佳无微不至的在意,关注,留意,重视，而且为了安抚她的情绪，甚至陪着她去登记成婚,完婚,婚配,嫁娶。就这样，一对丝毫没有感情基础的男女莫名其妙的成婚,完婚,婚配,嫁娶了，不知这个美丽的错误能否成就一段浪漫的故事……

导演： 鄢钷/肖蔚鸿/ 编剧： 崔斯韦/管娜/ 主演： 姚晨/朱雨辰/郭晓东/蒋小涵/吴辰君/张晨光/马艳丽/ 更新： 2025-05-07 00:35:25，最后更新于 1月前 片长： HD 评价：